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Mahjong
Tiles
I recently purchased
Majhong pieces from our friends at Sky Blue Pink at a very reasonable
price. The colors are very bright, so I dabbed them with various
colors of alcohol inks, Adirondack and Pinata. They are more subdued
and a little more "classy!" The white ones turn out the
best. The other colors are
more subtle and look good using some white and grey Pinata's. Then,
I tried it on poker chips! Same process and same results. These
are larger and I think will look nice with some other embellishing
in the center.
How to Stop
Ink from Bleeding Under a Ruler
To keep ink
from bleeding under your ruler when making
a "faux" layer, tape a coin or two to the bottom of
the ruler. It keeps your lines nice and neat.
Smiles,
Julie K in Taiwan
Ribbon
Storage
I have very
little wall space in my craft "area", as one side is completely
open to the dining room (hidden behind a folding screen), and the
longest wall is almost completely covered by a large window. I do
love the sunshine, but it makes storage a challenge, particularly
for slippery ribbon. I'd love to have one of those wall-mounted
wooden racks, or one of those ribbon racks to hang on the inside
of a door (alas, no door). Instead, I use very large 3-ring binders
with 3-ring clear plastic "pockets" that are open at the
top. When I flip through the notebook, I can easily see which ribbon
I need.
Jennie B.
Tampa FL
Faux Vellum
An economical substitute for vellum (for overlays and general decoration)
is tracing paper. You can cut it to size and run it through your
printer to make word overlays for your cards. You can choose to
sprinkle on embossing powder as soon as the paper comes out of the
printer and gently heat emboss (will scorch if you aren't careful)
or you can set it aside to dry so it won't smudge.
If you stamp
on it with a waterproof ink and color in the image with colored
pencils or chalks and then flip the tracing paper over, it most
often looks like a transfer image.
The tracing
paper looks particularly nice if the edges are torn against a hard
edge and then lightly brushed with a metallic stamp pad. Very elegant!
Fasten the tracing
paper to your cardstock using brads, eyelets or double sided tape.
Enjoy!
Jane in San
Diego
Reverse Imaging
This was something
I discovered on accident and I find it gives a nice appearance.
Stamp your image on vellum or other transparent surface, trim, set
with EP and then flip over for the reverse image in your work. This
is one of the easiest ways to get the reverse image of your stamp.
Using vellum, there is a very nice muted quality of the image. Works
nicely with mica too.
You might want
to check to see if your image looks alright backwards by looking
at the rubber stamp itself, since that is the image you will end
up with. If there are directional components to the stamp like words
or symbols, those will end up backwards just like the actual stamp.
Cheers!
Romi A.
Sakura Glaze
Pens
I'm a new member
and only been stamping for a year and a half, but I do have a good
tip in using the Sakura Glaze Pens. I use the clear one a lot to
make something appear embossed when it isn't, like to make a portion
of a picture stand out more. I also use the clear pen to cover white
areas in my stamp print that I want to keep white, the clear acts
as repellent from getting other colors on the white. Hope this helps
someone.
Minette L. in
New Jersey
Scraps
My little tip
for scraps,,,,
I pile them
high,,, in a box, in stack, and sometimes I remember to look through
the stack when I need a little piece, but
what I really like to do is take them all , and all my punches,,
and just punch like crazy, all the little things out...
I have a ziplock
baggy for my punched items,,, and I find sometimes I make cards
of just punched items,,,, this
is fun to do with kids, I like to have them ready for my nieces
and other little children that come to visit,,, give
them some blank cards, a glue stick and a bunch of punchies,, and
they are set up,,,
Have a blast
.....
Take Care,,,
Dee B.
Gluing Small
Things
To glue small
items place some PVA on the back of a quilters finger shield, hold
the item with tweezers in the other hand and dip in the PVA then
glue in position. Useful when gluing layers of punched flowers etc.
Also you will find you have more control over what you are doing.
Expect to pay about a $1 or £1 for a handy little item.
Carol C
Paper Chrysanthemums
I was going
to save this for a future tip, but since so many posts have come
up about shredders, I thought I would share this with you now:
If you have
a pasta machine (the hand crank type), and many of us do for polymer
clay, the pasta cutting side makes nice cuts of paper. You can get
strips that are
anglehair thin or linguine wide :) Sometimes I fold a sheet of paper
in half, feed it through part way on the thin angelhair cutter and
reverse it back out, Then unfold and make a "loop" opposite
of the way the paper was folded. I then twirl it on a quilling tool
and make some neat chrysanthemum blossoms.
Enjoy,
Jane in San
Diego
Joseph's
Coat
Brayer with rainbow pad on white glossy cardstock. Stamp a design
over entire card with clear embossing ink and emboss with clear
powder. Brayer over entire card with a solid, darker color than
the original rainbow pad.Your stamped images will pop out and be
the colors of the original rainbow pad. Very stunning! (Robin W.)
UTEE-ultra thick embossing enamel
Take a cardboard shape and coat with a layer of your choice of pigment
ink. Dip into UTEE and melt with heat gun. While still hot, dip
two more times, heating in between. Get a stamp inked in a contrasting
color of embossing ink (or clear) and set aside. Heat tile and dip
into UTEE one more time. Melt and while still hot, set your inked
stamp into the UTEE. Let it cool completely and remove stamp. Great
for embellishments on cards!
An alternative is to ink your stamp with clear embossing ink and
do the above steps. When the UTEE embellishment is cool, lightly
go over high spots with Pearl Ex, Perfect Pearls or metallic rub
ons. (Robin W.)
Unmounted stamps
There are so many ways to mount your unmounted stamps. One way I
have found to work best for me is to use acrylic mounts and Zig
two way glue. Trim your stamps, put a good coat of Zig two way glue
on each one. It goes on blue and dries clear. When it is dry, you
can stick it to an acrylic block and stamp away. If you want cushion
for you stamp, lay a piece of fun foam or a mousepad UNDER your
paper that you are stamping on. Works just as good as having foam
on the back of your stamp. If your stamp loses it's tack, just reapply
the two way glue. I find it lasts for quite awhile before it needs
a new application and a bottle of this glue goes a long way.
To store them
you can put them in cd jewel cases (not the slim ones) that have
the center "hub" part removed. You can buy these at any
department or office supply store. Label the cd cases as if they
were a music or program disk. I can store a full sheet in two cd
cases. I keep them hung on a wall in my studio where I can access
the stamp I want easily. (Robin W.)
Jacquard
Envelopes
Jacquard Lumiere
Paints make manilla envelopes beautiful. Just paint with some of
the metalics and let dry. They even feel nice. If you use a flow
extender you can even draw designs in the paint with your finger
or other tool.
Donna M
Xyron Tip
Run your punched
out papers through your XYRON machine. It's a great way to use paper
scraps AND be able to attach them easily to any paper.
Angela
Quilted Cards
Take a background sized piece of cardstock and place another piece
of cardstock or ruler diagonally across the card stock. Stipple
tightly against the edge and feather out about 1/4 inch. Move the
ruler about 1/4 inch and do it again. Repeat until you have filled
the card making sure you stop and heat set it so it does not smudge.
Repeat the steps going across the other diagonal When you are finished
you will have a background that looks quilted.
There is a sample in my stippling
class page.
~~C
Quilled
Flowers and animals
Take long strips of paper about 1/4 inch wide and roll them around
a lrger needle or Quilling tool. Take the tool out and let the paper
unwind a small amount ina controlled manner until it is the diameter
you want. Tack the tail of the paper so it does not unravel more.
Pinch one or both ends to the shape you want. For example pinch
one end and glue them in a circle for a flower. You can always make
very circular pieces for flower centers. Pinch both ends for a chrysanthemum.
There are many
sites on the internet that are much more eloquent than I considering
I have never done this before.
~~C
Journal Cover
Focal Point:
Stamp an image on thin copper sheet with Staz-on ink. Dry emboss
the metal to give the image a 3D look. Do not try to get all the
depth in one pass. Work it and it will not poke through. When finished
cut the copper to the desired shape leaving and edge you can cover
with braid or ribbon. Fill the indented copper with a gel medium
or other levelling medium and allow to dry completely. Glue the
image onto the cover of the journal and glue ribbon or braid around
it to finish off the edge. The medium will keep the image from getting
smashed down with use.
~~C
ZINE Creation:
1. Take a group of talented, colorful, creative people with a desire
to educate and inform their fellow artists.
2. Add a webmistress extraordinaire.
3. Mix together with a generous portion of time, hard work and laughs.
4. The result is a ZINE titled "Spectrum" created for
a group known as OSA.
Serves: ALL
Linda M.
Patchwork
Card Backgrounds
Take a sheet
of copy paper and cover it with strips of carpet tape (double-sided
sticky 3" wide tape, easily available in a hardware store)--don't
worry about the edges, you'll trim later. Take your paper scraps
and make sure the corners are all 90 degrees (I usually work with
a monochromatic palette otherwise it gets too busy), and start laying
them down. Keep in mind that you'll be cutting the sheet into quarters
to make card-size backgrounds, so don't put all the pretty papers
in just one corner! Also pay attention to the thickness of the papers--it's
easier to stamp on if they're all about the same weight. Mixing
washi and cardstock, for example, makes for a really uneven surface
so the stamp "skips". However, if you have leftovers of
polished stone, or shaving cream, or some other technique you've
used on cardstock, do incorporate those. When the sheet is full,
turn it over and trim off the edges, then cut your sheet down to
10 x 7.5", then cut it again into 4. Now you have 4 background
pieces you can use to stamp on or decorate or do whatever with!
Heather
=)
Small UM
storage
I very recently
stripped most of my rubber stamps from their blocks. I used the
Tack-It-Over-And-Over method to adhere them to page protectors by
category.I use Aleene's Tack It Over And Over.
First I strip
off the stamp from the block, or use purchased an umnounted stamp.
I trim it as
I like.
I brush it on
the back of the UM with a liberal coating of TIOAO, let it dry .
When it's dry,
I adhere it to a page protector that has a piece (or 2) of cardstock
in it for support and put the thing in a 3-ring binder. You can
arrange them any way you want for storage.
When I've cleaned
them, I take them off the acrylic mount and when they are wet, they
aren't sticky, which helps if you want to wipe them dry. Let it
air dry a bit and you are back in business!
I was able to
store over 600 UMs in 6 3" Avery (guaranteed not to gap) binders
and cleared up a dozen Iris drawers of various sizes. That's quite
a difference. My more special stamp sets I kept intact on the blocks.
I found that
the teenie stamps were going to be a problem to view and keep in
this manner, so what I did was adhere them, again by category, to
the inside of these thin clear plastic card I bought a long time
ago (and never used). These are perfect as the stamps are viewable
and contained inside the box, not to be lost! I scanned them in,
reversed the image and can see them easily on my computer, making
them easy to find when I want them!
Fran
C.
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